Beginning his artistic career in the Himalayan mountains close to where he was born, Sah first moved to London to study at Wimbledon College of Arts, before moving from London to Margate, where he recently opened a purpose-built studio. Although seemingly unconnected, the landlocked peaks of the high Himalaya and the tumultuous seascapes of Margate are connected in Sah’s imagination by the atmospheric clouds that envelop them, which upon parting reveal dynamic vistas illuminated by shafts of light below. Sah’s intensely detailed work is filled with an inner light, one that he first admired in the expressive radiance he found in J. M. W. Turner’s oil paintings, particularly around the coasts of Margate. Sah’s paintings, although different both in design and execution, afford tantalising reflections of the light that guided him to follow in the English Master’s footsteps as he, too, travelled from spectacular mountain views to draw inspiration from Margate’s dramatic seascapes.
