Ella Finer’s work in sound and performance spans writing, composing and curating with a particular interest in how women’s voices take up space; how bodies acoustically disrupt, challenge or change occupations of space. Her research continuously queries the ownership of cultural expression through sound; often through collaborative projects centring listening as a practice of deep attention, affiliation and reciprocity. Recent work includes her collaboration with Vibeke Mascini, Silent Whale Letters, which will be published by Sternberg in 2023; continuing iterations of Burning House/Burning Horse (first commissioned by Almanac) and Wind Study, a tape of 8 elemental re-mixes produced with Flora Pitrolo.
She is currently finishing her first book Acoustic Commons and the Wild Life of Sound, a work considering the inherent power in/of that which falls outside of administrative control – as a way of thinking through the sonic as critical agitator: how sound resists categorisation in the archive; how sound makes and disperses knowledge beyond the bounds of the institutional building.