b. 1969
Hélène Amouzou (b.1969, Togo) has become widely known for her distinctive autoportraits that explore the contemporary issues of people in exile and those that have been invisibilised. Drawing on experiences of migration, borders, and displacement, her highly technical analogue processes are integral to her research and artistic experiments.
In 2014 she completed her studies in photography at the Sint-Jans-Molenbeek Academy of Drawing and Visual arts in Brussels. Amouzou’s works have been shown internationally including solo exhibitions at CONTACT Photography Festival, Toronto (2023), Centre Cultural Jacques Franck, Brussels (2022); The Women’s Darkroom Gallery New York (2022); FoMU, Antwerp (2021), Maison des Cultures de Molenbeek-Saint-Jean, Brussels (2009) amongst others; and within group exhibitions including at Photo Ireland (2023); FotoFest Biennale, Houston (2020/2022); S.M.A.K, Gent (2022); Les Rencontres d’Arles, Arles (2021); Museum of Contemporary African Diasporan Arts, Brooklyn (2018); Musée du Quai Branly, Paris (2011); Hayward Gallery, London (2011) amongst others. Her works are part of collections including the Brooklyn Museum (USA), March Gallery (USA), S.M.A.K (Belgium), SMART (Belgium) and the Tropenmuseum (Netherlands). She lives and works in Belgium.