new exhibitions
BLAIN|SOUTHERN

4 Hanover Square, W1S 1BP
020 7493 4492

www.blainsouthern.com
info@blainsouthern.com

Mon-Fri 10-6, Sat 10-5

undergroundOxford Circus


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PLEASE CONTACT THE GALLERY FOR MORE INFORMATION
through Dec

ALEX DORDOY : THE MOSS IS DREAMING
Oct 4 - Nov 11, 2017
For the first in Blain|Southern’s new series of exhibitions, collectively titled Lodger, its curator Tom Morton has invited the young, London-based artist Alex Dordoy to develop a new body of work exploring a central characteristic of twenty-first century visual culture: the restlessness of the image, and the instability of the surfaces on which it manifests.
press release

Click to enlargeJAMES WHITE : BODIES
Nov 22, 2017 - Jan 20, 2018
Private view Tue Nov 21 6pm - 8pm
Blain|Southern presents BODIES, an exhibition of new paintings by James White.
 
White’s grey scale paintings explore everyday minutiae and hint at something that has happened or may occur. Fleeting moments from intimate, domestic scenes are paused, extended and captured by the artist in meticulous detail.
 
The references for the paintings are the artist’s own photographs; stripped of their original colour, the painting shifts focus onto subject and technique. Reminiscent of crime scene photography, ‘The paintings are forensic in the manner of their image-capture, the documentary-no-expense-spared monochrome…’1. Tightly cropped, they are suggestive of incidents beyond the frame, alluding to a human presence without depicting any individuals.
press release

SOPHIE JUNG : COME FRESH HELL OR FRESH HIGH WATER
Nov 29, 2017 - Jan 20, 2018
Private view Tue Nov 28 6pm - 8pm
For the second in Blain|Southern’s new series of exhibitions, collectively titled Lodger, its curator Tom Morton has invited the artist Sophie Jung to develop a new sculptural installation, accompanied by a performance that exists as both a live event and a looping video work. For this exhibition, Come Fresh Hell or Fresh High Water, Jung will transform Blain|Southern’s lower gallery into an environment that recalls at once a bunker, an ice cellar, a Brechtian stage set, and a dressing room. Scale, here, is subject to sudden glitches, and the most mundane of objects – coffee mugs, shower curtains, hat stands – hum with histories, ironies, and a simmering sense of fury.
 
Performances are scheduled at various point throughout the run of the exhibition. Dates will be announced shortly.

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